Tuesday, 15 October 2013

updates

cattails - monica lacey 2013
Well, here's a long-overdue update:

Let's see...I began teaching 3 courses in September for my artist-in-residence position with the Town of Stratford, and they're going really well...I'm working on some new pieces in my studio, as well as working on getting my studio set up to match my workflow - it's an ongoing process of course! - and puttering around my new house decorating, building, and enjoying the space.

For Culture Days this year my husband Devon and I offered a dance workshop to promote Charlottetown Dance Collective, and I've started up my writing group again for the PEI Writers Guild.

Last week I took a trip to New Orleans, and got some great inspiration from community-based interactive projects, and from the amazing live music.




Other than that, I've joined the Board of Directors for this town is small and IMAC, so it's been a busy Fall so far!  And it's submission season too...wish me luck :)










Monday, 26 August 2013

Curiosity: a love letter to abandoned houses

Wow. Two whole days later and I'm still bone-tired, as my fellow artist Donnalee put it in her post about Saturday's Art in the Open Festival in Charlottetown. Bone-tired, but also satisfied, blissed-out, and kinda speechless.

When I initially conceived of my piece for Art in the Open, I imagined it would appeal perhaps only to a certain audience, or that not everyone would feel something or have a reaction to it, but I am totally delighted with how my installation went! First of all, we had a smooth install - my amazing husband, and two great friends and I worked for 8 hours to get everything ready. The weather could not have been more perfect, and Victoria Park is a gorgeous place to spend the day.

Curiosity: a love letter to abandoned houses - monica lacey 2013

Once it was up, the reactions were so positive:  I had viewers of all ages tell me it moved them in some way, and many people, kids and adults alike, were heard to say, "this is MY house.  I'm going to just stay here." I had elderly folks say they recognized a lot of items from their childhood, kids say they thought it was the best fort ever. A friend told me they saw someone crying. People poked around, read the magazines, sat at the kitchen table, and someone even stole the salt shaker (but returned it later in the mailbox). A dog came in and laid down on the rug. There was a door at either end of the 'house' and one of the most interesting things was watching how many viewers used the doors (which worked & opened & even creaked!), and how many went around, or 'through the walls'.  Often the wall-walkers could be heard to refer to themselves as ghosts, or as having powers. I hope to hear more stories about the experiences people had in the piece as time goes on.

Curiosity: a love letter to abandoned houses - monica lacey 2013
One of my favourite stories of the night:  my friend Todd came to see the installation, and he asked me where I'd gotten the mailbox as he thought it was familiar. Turns out it was his great-grandfather's, as were several of the windows in the 'house'! After teardown I was able to give him the windows so he has a little piece of his family history.

Curiosity: a love letter to abandoned houses - monica lacey 2013

When night fell, I was a bit nervous that my lighting wouldn't be sufficient, but the lamps I'd picked up from the ReStore did the trick perfectly, and the atmosphere was wonderful at night. In fact, just before the end of the festival (midnight), a house party even broke out in the installation. I even had to kick a group of teens out so I could tear down. All-around awesomesauce :)  I loved working at this scale, and outside - what a treat! I can't wait for next year!

While I had to mostly stay with my work, I did get a bit of a chance to see some of the other projects, and while I didn't catch all of them, I did see some gloriously beautiful pieces & felt in excellent company. Huge congratulations to all of the artists, organizers & volunteers for a fantastic festival!

Thursday, 8 August 2013

Arts East interview

PS I recently did an interview with a great blog called Arts East - the links are below so have a look!  We talked about upcoming projects, inspiration, process, community engagement - all the good things :)

part 1
part 2

Tuesday, 6 August 2013

nesting

Human nests by Jayson Fann
My husband and I just bought a house. It was, as it seems to be for everyone buying their first home, a whirlwind experience, full of excitement, anxiety, and tons of team decision-making. Luckily, we love it. Absolutely adore it. I'm amazed at how much I love my shed, my yard, the 5 maple trees that shade my deck, how much I love my cupboards, floors, all of it. I can't seem to stop happily decorating and customizing. And, because I have a wonderfully supportive partner who believes in my work, I have the biggest, brightest room as my new studio!

Right now I'm working away on my installation project for this year's Art in the Open here in Charlottetown, PEI. It's going to be a wonderful festival this year with a great lineup of talented artists from PEI and beyond - August 24th, mark your calendars!

I'm also preparing for a series of courses I'll be teaching this fall as Artist-in-Residence for the Town of Stratford.  I'll be teaching adults and seniors, and I'm really looking forward to getting started. In the meantime there is still lots of unpacking to be done :)

Thursday, 11 July 2013

what I am trying to say is there is spirit in everything it is trying to reach you

screenprint on cotton, monica lacey 2009
I think one of the reasons I don't post on my blog very often is that I feel a certain amount of pressure to keep it light and positive & friendly & so on. However, if you've taken even a glance at my work you can guess that I have some deep dark heavy thoughts and a tendency to melancholy & nostalgia. So today, in honour of PEI's Pride Week, and generally accepting & celebrating who we are no matter what, and also, in case there's one person who reads this and feels even a tiny bit less alone as a result, I thought I'd say, the heck with it, and share some really personal stuff.  A bit about my own story. Here goes.

I've had an awareness of my own soul as long as I can remember.  I was a shy, sensitive, serious child, I had recurring, terrible nightmares and was often very self-conscious, to the point of having a sense of watching myself as I played, even at a young age. I imagined no one else felt like I did, and I envied people who were able to just let go & take life - and themselves- lightly. I got angry, I got jealous, I had urges to manipulate others, to be mean or controlling, and of course, I turned all that energy onto myself in the form of self-destruction and low self-esteem. All this time what I really wanted were some tools for dealing with life.

As a teenager I was pretty depressed, so naturally I read tons of poetry, I listened to music that seemed to speak to the dark place I was in, and I slept a lot. At 13 I picked up some Carlos Castenada , and that was the beginning of a) realizing I was not alone in how I felt as a human being, and b) having some tools and techniques for managing my human life and starting to realize my actual potential.

Anyway, I read more, I traveled, I tried things, I explored the heck out of my own mind, I met wonderful teachers who helped me along the way, and then, finally, in 2004 I discovered Kundalini Yoga. I had been practicing yoga for many years, but had never tried this particular style. I was trying to figure out what to do with my life and thought, hey, I'll become a yoga teacher, why not. I looked for the longest teacher training I could find (the prices were all around the same, so I wanted the most bang for my buck), and it turned out to be a Kundalini teacher training program in Toronto.

This one
what can we do to be free - cyanotype, monica lacey 2010
decision completely changed my life - both inner and outer. Now, everyone is different, for sure, and I'm not trying to sell you a yoga practice here, but I can tell you I have been doing a daily Kundalini Yoga & Meditation practice now for almost 10 years and it continues to blow me away with its potency and the power it has to transform the human instrument. I have never found another technique that so effectively can lasso the mind and tame it.

For instance, today I got involved in a discussion that got my blood pressure up, and I wasn't feeling great about the world or humanity in general, plus it was humid and hot, and I was grumpy, so I rolled out my mat, and then I did this practice. It totally changed my day. I came out of it with a new perspective, more energy, and a sense of peace and connectedness.

In summary, whatever your situation, however you identify, whatever hand you've been dealt, I hope that you are finding the tools you need to manage your human experience, befriend your own soul, and realize your potential. If you haven't found those tools yet, keep looking - paths are made by walking after all.





Tuesday, 18 June 2013

back to the drawing board

So I'm just coming out of a creative slump. I have slumps like everyone does, and making one's way out of a creative slump can be particularly grueling. It's usually a good time to get my camera out and start noticing colours again. I like to go out into nature and pick a flower or plant to look at as closely as possible, try to see every last little detail in it. And then if I find one that is totally fascinating, I'll take it home and paint it. Painting flowers brings me a lot of joy and calmness, so that's usually a good place to start. It's amazing how just activating your senses, and looking closely, can awaken inspiration.

the bulb garden - monica lacey 2013


Thursday, 6 June 2013

where you stand in the struggle

I always thought of myself as a bit of a lone wolf especially when it came to creative work. I thought I needed to be alone to concentrate. But then when I went to art school, and when I started to do residencies, I realized that I love working around other artists; I love dialoguing about our work and ideas, I love getting feedback, I love sharing inspiration, and I feel so energized and enthusiastic about my practice. Having spent the month of April in residence, living and working with about 20 people at Elsewhere, coming back to my home studio, where I work all day alone, has been pretty depressing. Recently in the art course I teach to senior citizens, a gentleman who was a bit tired that day said of the project we were starting, "what's even the point of making art?" and sometimes when I'm faced with a long day of isolation and solitude, working in a vacuum save for the stimuli the internet provides, I feel that way too. I feel a bit reassured to know that even hilarious people I admire get horribly depressed.

It's hard to know what the solution is when I live in a city that has a thriving arts community, yet no art education institution, and an economy such that barely anyone can afford studio space outside their own home. Anyway, not to complain...all that to say that if you're reading this, and you'd like to come over and make some art together, I'd love to work together :)

the champion - monica lacey 2013