what we found - mrl 2010 |
I love my job. I love my life and all the amazing people I get to spend it with. I have to say, as much as it is a struggle sometimes working for myself in a highly competitive, tenuous, uncertain field, I would not trade it for anything. I don't make as much as a lawyer, for instance, but I will one day. You watch ;)
charlottetown morning - mrl 2010 |
First of all, you organize yourself. You need this organization because you will be doing a ton of admin work on top of your beloved studio work. You constantly research submission/exhibition opportunities. You subscribe to mailing lists, blogs, anyone who is compiling said opportunities. You support fellow artists when you can. You discern and prioritize and then submit to everything on your priority list. You surround yourself with people who uplift you and make you laugh so you don't go nuts. You spend time with other artists. You teach. You network. You blog. You use resources that are available to you. You are professional and reliable. You edit your work so that it is always improving. You get perspective. You diversify. You specialize. You take courses and workshops and grow your skills. You do residencies. You volunteer. You sit on boards of arts organizations. You get involved. You focus. You go to galleries and other artists' openings. You put your self-doubt aside and get out there. You put your ego aside and let the quality of your work speak for itself. You promote yourself. You learn to talk about your work in a way that is accurate and insightful. You say yes when opportunity comes knocking and if it doesn't, you go after it. It takes an immense amount of energy, so you make sure you get a good night's sleep :)
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